[identity profile] misatheredpanda.livejournal.com
This may already be out there on the internet somewhere, but I couldn't find anything before I went to visit myself last summer. I ended up asking someone at Père Lachaise, and after a lot of grumbling/drilling me on who this person was and why I cared/generally making it out to be an impossible task, he produced these very specific directions and helpfully drew it in on the map for me. It was very endearing, very French. So, I thought I ought to post it (I meant to do it months ago! sorry) in case it could be of use to anyone else!

Map of Père Lachaise with Éléonore Duplay's grave marked in )

The written directions: it's in the third row of the 34th division, the twelfth tombstone in.

Best wishes and happy ancien régime new year to all of you!
[identity profile] estellacat.livejournal.com
So, as promised, I'm finally (about a month late, but better late than never, I suppose) posting what I have as far as the portrayal of Éléonore Duplay in literature goes. The following links will only lead to English-language excerpts, but if anyone feels like browsing my journal there are a few French ones posted there too. 

In case anyone missed my explanation of why I'm doing all this for as minor a historical personage as Éléonore Duplay, I'll just briefly sum up my reasons: the first, is that--as many of you know--I'm planning of eventually writing a novel in which Éléonore will be the protagonist, so it's useful to me personally to know what others have written about her. The second is, quite simply, that it's actually possible to compile all the excerpts of novels and plays that feature Éléonore, whereas, if I were trying to do the same for say, Robespierre, well, there are entire books from his perspective... Needless to say, it would be pretty near impossible. Third, I figure since I'm making this compilation in any case, I might as well share it, since a little knowledge is unlikely to do anyone any harm. (In fact, at some point, I'll probably post some non-fiction excerpts as well, just to add some more *useful* knowledge to the mix.)

Also, while I'm not particularly fond of stating the obvious, I think it might be a good idea to note that since these are novels and plays, it's a good idea to take whatever notions the authors might get into their heads to represent, with a grain of salt. Or a whole shaker. Or a whole salt-mine. But you get the idea: when it comes to accuracy, some of these are better than others.

So, the links:

Burlesques, William Makepeace Thackeray, 1847
http://estellacat.livejournal.com/32147.html
http://estellacat.livejournal.com/32486.html
 British Artists from Hogarth to Turner: A Series of Biographical Sketches, Walter Thornbury, 1861 and The Atelier du Lys, or an Art Student in the Reign of Terror; Margaret Roberts; 1877
Macmillan's Magazine, John Morley, 1888
Longman's Magazine, Charles Longman, 1890 and The Journal of a Spy in Paris During the Reign of Terror, Charles Fletcher, 1895
The Friend of the People: A Tale of the Reign of Terror, Mary Rowsell, 1895
Robespierre: The Story of Victorien Sardou's Play Adapted and Novelized Under His Authority, Ange Galdemar, 1899
The Triumph of the Scarlet Pimpernel, Emmuska Orczy, 1922
Mon ami Robespierre, Henri Béraud (Translator: Slater Brown), 1928 
Jacobin's Daughter, Joanne Williamson, 1956 (Part I) 
Jacobin's Daughter, Joanne Williamson, 1956 (Part II)
The Incorruptible: A Tale of Revolution and Royalty, Helma de Bois, 1965
A Place of Greater Safety, Hilary Mantel, 1992
A Place of Greater Safety (2) 
A Place of Greater Safety (3)
City of Darkness, City of Light; Marge Piercy; 1996
(City of Darkness, City of Light again)
The Ninth Thermidor, M. A. Aldanov, 1926
The Gods Are Thirsty, Tanith Lee, 1996
The Danton Case, Stanislawa Przbyszewska, translated by Boleslaw Taborski in 1989
http://estellacat.livejournal.com/41024.html

One last thing: I had to make the font size very small on some of the entries in order to fit everything. I'm sorry for any annoyance/inconvenience that might cause, but it is possible to change the font size.

And as always, it would be interesting to see any comments any of you might have, either here or at the entries themselves. Happy reading!
[identity profile] maelicia.livejournal.com
I'll make a different post for this.

I also bring to you some sound extracts (no image) from the film. [livejournal.com profile] juliesaintjust made them. Once again, I only uploaded them. However, I was crazy enough to translate them. You’ll find the transcriptions of my translation under the cuts. :D

I have more sound extracts, but now I'll start with those I have about 9-10 thermidor.

Click on the pics (matching the scenes) to download the sound extracts.

Night of 8 thermidor: Le Bas, Saint-Just, Élisabeth. )

The morning of 9 thermidor. )

9 thermidor: the insurrection of the Hôtel de Ville. )

9 thermidor: Robespierre arrives at the Hôtel de Ville. )

9 to 10 thermidor: last hours of the insurrection. )

10 thermidor: a farewell with the Declaration of the Rights of Man and Citizens of 1793. )
[identity profile] maelicia.livejournal.com
Thus I wish to share with you the 1964 TV movie La Terreur et la Vertu by Stellio Lorenzi and Alain Decaux.

Ah, the 1960s! The glorious decade of the victorious left! When the revolutionary, republican and jacobin tradition reigned over historiography!... Long before Furet’s Reaction, which brought with it films such as Wajda’s "Danton", Enrico’s "La Révolution française", De Broca’s "Chouans", Rohmer’s "L’Anglaise et le Duc", Jacquot’s "Sade", Coppola’s "Marie-Antoinette" and the Supreme Being Knows What could be next. Meh.

But that is another story. Back to La Terreur et la Vertu.

I begin with screencaps, which were made by [livejournal.com profile] estellacat. I only uploaded them. :D (And yet, it was very, very, very long. >.> )


Behind this cut, thumbnails of the film. )

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